The Girls Next Door
The Girls Next Door is a reality television show that takes viewers behind the gates of the Playboy Mansion and into the lives of Holly, Bridget, and Kendra, the three girlfriends of the iconic Hugh Hefner. The show is sexy and sensual, taking the audience into the bedrooms and behind the scenes of nude photo shoots (with all “unmentionable parts” blurred out, of course); and yet the show is not the typical flesh-hawking reality tv. Far from it, actually. The show is actually quite, funny, and adorable.
The appeal and focus of the show is on the lives of Holly, Bridget, and Kendra. “Hef”—the girls’s nickname for the gracefully aging Hugh Hefner—is often seen on the show. He interacts with the girls, conducts business, and generally lives a life of leisure; but mostly the show centers on the personality of the girls as they live their lives and pursue the various things that interest them.In short, even though the show is sexy, its appeal is not sex. Most of the show is not about sex. Most of the show is about beauty and personality. The girls are interesting and adorable. Holly is ambitious and holistic, taking initiative to spearhead various projects and photoshoots. She also makes no secret of the fact that she has a maternal instinct and wants to have a baby with Hef. Bridget has a master’s degree in communications and a deal with the Travel channel for a new tv series. Kendra is a carefree tomboy who loves to play sports and party.
The girls live a charmed life. Accordingly, they talk about how “blessed” they feel to “live such a special life.”What makes the show unique and worthy of discussion at Theos Project is that The Girls Next Door subjectifies the sexuality of porn stars. The girls are not objectified as sex objects. They are not merely flesh for the consumption of the lustful; rather, their sexuality is linked to their subjectivity—they are first people. Their career is sexual—one might call it their “calling”—but there is no sense that their sexuality degrades them or holds them back from exploring their full potential as people and as human subjects.
Briefly, I think The Girls Next Door illustrates three mergers. These mergers represent things that have been traditionally separated and dichotomized.
First, there is a merger of porn with pop culture. We now live in a porn culture. It is part of the electronic evolution of humanity: porn is now quick and easy and not "dirty." One need only log on to the internet to find a world of whatever entices desire. This merger of porn with pop culture is perhaps not as integrated as places like Hong Kong or Japan, but still a reality. I remember hearing in the last year about a Japanese baseball player who recently came to the States to play in the MLB. He casually began publicly describing to reporters his extensive pornography collection. For all intents and purposes, it appears that it is not uncommon for reporters and ballplayers in Japan to discuss pornography and even to exchange dvds with reporters! Pornography is no longer a back-ally activity with an exclusively negative connotation.
The second merger is porn with art. Regardless of how one feels about the moral ramifications of pornography, the fact is that porn is now artistic and may even be "beautiful."Third, porn has been integrated with authentic personal expression. Not only is porn generally considered an authentic form of personal expression for those who view it, but porn is now also a form of self-expression and perhaps even a “calling” for the porn star. This is similar to the merger of porn with art, but in this case, the suggestion is that being a porn star is a vehicle to achieving occupational fulfillment. Porn is not just a badge of shame for girls who are looking to make money—it’s not just an economic exchange—there really seems to be something deeper and self-authenticating.
I see all of the above mergers and integrations when I watch The Girls Next Door. The show is porn in pop-culture, an artistic production, and the girls of the show live a charmed and fulfilling life.
Traditionally, both those on the right and the left have vehemently opposed pornography. On the right, the religiously conservative, concerned with the morality of sexuality. On the left, those concerned with the degradation and exploitation of women.
Noam Chomsky expresses his objection.
Chomsky brings a black-and-white perspective: pornography is degrading to women, therefore pornography should be eliminated. “Women are degraded as vulgar sex objects,” says Chomsky, “That’s not what human beings are.” Chomsky finds this to be even beyond discussion, kind of an axiomatic given.
I certainly find a lot in Chomsky that I resonate with: degrading women—or anyone—is something that is worth fighting. I would certainly agree with Chomsky and others who oppose porn if pornography is embedded in a social context where those who produce the porn have very little (if any) other options and therefore reluctantly resign themselves to degradation and humiliation in order to survive. Such a system is sick.
What makes the 21st century discussion a bit unclear, however, is that pornography has merged with pop culture, art, and personal self-authentication. The girls from The Girls Next Door don’t have to shoot porn. They could walk away at any time, and at some time they probably will.
So, if the conditions for exploitation has been eliminated, is there still an objection to porn?
An argument might be made that human beings, by nature, are degraded by participating in pornography. That is, porn is degrading, even if it may feel self-authenticating to be a porn star and even if the porn star is unaware of the fact that they are being degraded. Similarly, those who participate in watching pornography degrade themselves, regardless of any personal satisfaction they receive. Pornography cheapens sexuality. Human beings were called to something “higher,” and pornography holds us back from something “more noble.” Such an argument, I think, might be difficult to prove. I think it would have to come from some sort of inner sense. This does not make the argument less potent, but perhaps such an argument really isn't an argument but rather an internal sense that sexuality is cheapened if it is made available for public consumption.
At this point, we are entering the murky waters of speculating on morality and nature. Pascal said that custom is our nature. What is “human nature”? Something we inherit, something intrinsic? Or is “nature” more closely related to the societal and cultural matrices within which we are embedded? Perhaps one of the great intellectual and cultural wars of our day is over human nature. How do we define ourselves as sexual beings? Is it based on something in our nature? Or are we defined sexually based largely on the cultural and society norms/morality that we are taught?
In any event, I find that The Girls Next Door provoke an important discussion of sexuality. It reflects many of the unique realities of sexuality in the 21st century.